Saturday, 15 January 2011

Biker’s bibles


Is it just me or are parts catalogues an endless source of idea germination?
I’m not saying I ever carry the ideas through into reality but, this time of year, I certainly spend hours flicking through pages of the gleaming new parts, dreaming what I’d do if I was actually gifted enough to spin a spanner without string threads, rounding nuts or plying a grinding wheel without removing vital parts of my own anatomy – or any one else’s who might be daft enough to stand close by when I’ve got a power tool in my hand.
I guess I’m one of the world’s wanna-be bike builders. But it’s best I let others do the bulk of the serious work. Engineer inept I might be, it doesn’t stop me enjoying cool bikes and the parts that go into them.
The numerous Harley aftermarket catalogues though over-power me – even though I have a Sportster. Lets face it, they all consist of basically the same stuff and are crammed full of hideously expensive equipment. If I’m honest, I get more of a kick these days picking up some second-hand bits than paying for a poorly-made component that’s liable for its thin layer of chrome to peel off at the first hint of moisture.
The only doorstep I keep in my house is the W&W Cycles one because a) it’s useful to have parts catalogue lying around just in case, and b) it’s usually a bloody gorgeous work of art to wallow in.
My favourite catalogue is the Bullet specialist Hitchcock’s Motorcycles catalogue (http://www.hitchcocksmotorcycles.com). It’s subtitled, ‘Improvements, Accessories and Performance Parts for the Royal Enfield Bullet’ and is a whopping 256 pages of anything you could ever wish for if you own a Bullet, whether it’s an original Redditch-made bike, an Indian import or even the latest efi model. Not whopping compared to the Harley tomes but whopping enough to portray a huge range of kit that stirs my interest in a) what I could do and b0 getting the Bullet back on the road for Spring.
The cool thing is that each year Hitchcock’s build a special around their parts inventory, just to help get you thinking about what might be possible, if you hadn’t already. And the latest custom is their gorgeous take on the Fury.

Cool retro Fury produced by Hitchcock's to
promote their extensive parts catalogue

Now I don’t know if you’re a Bullet fan or not, but the Fury was a high-performance 500 which Redditch knocked up for the US market to counter the BSA Gold Star threat in the US. Launched in 1959, 191 were made up to 1963, and featured a larger inlet port, Amal GP carb, aluminium alloy barrel, with cast-in liner, a high comp piston, lighter flywheels and hiked performance from 27bhp to 40bhp.
Ironically, while Hitchcock’s were working on their Fury, the Royal Enfield UK importers Watsonian were doing the same thing but in a very different way, basing their ‘retro’ Fury on the new efi model.
The only tweaks of note are wider bars, XR750-style dirt track seat and a twin exhaust system. It’s a ‘production’ motorcycle so it’s really only a different styling take on the other Bullet’s in the range. In other words it’s built to a budget and lacks the kinda passionate design/engineering flair that you know something like the one-off McDeeb specials have undergone.

Royal Enfield's take on the Fury. Stocker with bolt-ons.
And that’s a pity because with a little more ingenuity on the aesthetics plus a bit of engine tuning, the Fury could have become a real little hot-rod stand-out of the existing Enfield range.
As it is, I’m sure it’ll be another of their pleasant and mild-mannered singles to plod around the countryside on – or use as a bar-hopper in a crowded urban environment. And there’s certainly nothing wrong with that.
Hithcock’s Fury however is based on the original 500cc Bullet Classic and is built exclusively from their parts catalogue. They reckon Wayne (one of their crew) had two days to build it – which would have made a great biker build-off flick. And it’s nod to conventional Sixties-styling looks superb.
Hitchcock’s don’t making any performance claims for their Bighead upgrade that the fury boasts, suffice to say it’s got a massive inlet port to take a 1.5”Amal GP semi-downdraft carb, new rockers, 80-degree valve angles, superior valve and spring design and a larger inlet valve – all designed to give the single a bit more thumph.

Friday, 31 December 2010

Southern rocks

Can a Kent-based band boogie like real southern rockers? Y’all bet yer arse they can! MelonHeadMan ripped through their high-energy ‘boogalizing’ songs at the Dublin Castle in Camden on Wednesday, December 29, and made our trip down from Lincolnshire well worthwhile – even if it was only an abbreviated set in a typically busy night on the cramped backroom stage of London’s famous music venue.
MelonHeadMan is a five-piece band from Tonbridge, inspired by souther rock legends like Lynyrd Skynyrd, The Allman Brothers, ZZ Top, Molly Hatchet and Raging Slab. Front-man is Simon Savage and, in his own word from the band’s Myspace site, MelonHeadMan ‘sing songs about bad doctors, medicine men, and wild-hearted women.’
If you’re a southern rocker then it’s worth catching up with MelonHeadMan. There’s a bunch of shows already lined up for 2011. Check out http://www.myspace.com/melonheadman for gigs plus details on their new album ‘The Good and The Bad.’





Of Motorcycles and Music

So why the fuck does the world need another blog about motorcycles and music?
I guess it doesn’t. But what the hell….. 
I’ve been into bikes and bands since the late Sixties. The two kinda go hand in hand. Well they did in Easy Rider…..
I reached my peak in 1973 when I bought my first brand new motorcycle, a 650 single-carb Triumph.  The same year I also discovered southern rock. Thanks Skynyrd!
Yeah, I’m a refugee from ’73 all right*. And ‘Southern by the Grace of God’ (southern England that is).
I’ve been lucky enough to have worked (term used loosely) in the motorcycle racing industry for years and while I truly admire complex new tech, my personal choice of motorcycle is a ratty twin or single. The older I get. The shittier I like ’em!
I’ve got a shagged ’91 Sportster that’s in the process of being hacked. Chopped would be the wrong word. I attacked it with a hacksaw and now my mate is tidying it up and re-wiring it (I’m fuck all use with a spanner in my hand no matter how hard I try) and once finished it’ll be a kinda’ bar hopper style thing.
I’m also the proud owner of a tired 350 Bullet I bought over a year ago and aim to have on the road in the new year. Oh fuck, the new year is tonight. I guess I never specified which year…..
And I have a ’79 XS650 Yamaha I bought brand new that has been in bits since mid-1980-something when I tore it down with the intention of rebuilding it into a flattrack custom but is now gonna be a kinda Brat style softail creation. Fuck, I’ve even bought the frame lowering kit from Visual Impact in Pennsylvania (I found them at http://www.xs650chopper.com/ - the place if you like your XS650s custom-style).
I’ve promised myself to get the 650 done this year – once the Harley and Enfield are road-worthy. The dream is to have all three bikes on the road this year – and that’s one reason for the blog to kinda give myself a reason to get them done.  I can already envisage the nightmare it’s gonna turn into. Hey, I’m a glass half-empty kinda guy!
Another reason for the blog is to engage with others who don’t just share similar biking interests – but also who share the same tastes in music.
I love music. Southern still rocks. Fuck, I’m constantly blown away by the constant stream of brilliant new bands I keep discovering……
Enjoy the ride.

*     ‘Refugee from ’73’? It was a cheapshot remark in a Frank Marino gig review I read in some crap UK music rag. He played Hammersmith Odeon, wore a silky bat-wing tee-shirt, jeans tucked into knee-length platform boots and shredded long (very long) guitar solos. Very Hendrix. They said he looked - and played - like ‘a refugee from ’73’. Fuck ’em. It was a cool gig!  And I always remembered that slogan.